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Ann James

Ann James is an advocate for the growing field of Intimacy Direction and Coordination. She is a scholar as well as a consultant in professional theater, television and film settings.

​Ann C. James has an extensive career in international stage direction and theater education. James recently made her debut as the first Black Intimacy Coordinator of Broadway for Antoinette Nwandu’s Pass Over. James serves as an intimacy and sensitivity consultant for Hamilton (USA) and Hamilton (UK), and serves as an Intimacy/Cultural consultant for the Broadway-bound productions Lempicka and Trading Places . In addition to her Broadway and West End credits, she has served as Intimacy Director and Sensitivity Specialist® for the provocative Off-Broadway productions of Moises Kaufman’s Seven Deadly Sins and Here There are Blueberries by Tectonic Theatre Project, Seize the King produced by Classical Theatre of Harlem, F*cking A at Fordham University, Twilight: Los Angeles,1992 and Dominique Morisseau's compelling play, Confederates at Signature Theater. Her intimacy work has featured James as an expert voice for Theatre Communications Group, HowlRound, the Society of Stage Directors and Choreographers Foundation, and Lincoln Center’s Director’s Lab West. Her company, Intimacy Coordinators of Color, has partnerships with Adelphi University, New York University, Columbia University, American Conservatory Theater, Brown University, Trinity Repertory Theater, A.R.T./New York, and ART at Harvard.

Two actors in their underwear caressing one another.
Celebrating the Spirit in Intimacy Work
Essay

Celebrating the Spirit in Intimacy Work

A Conversation with Cha Ramos

2 September 2022

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

An actor touches the face of another actor while standing on a darkened stage.
Bringing Identity to Staged Intimacy
Essay

Bringing Identity to Staged Intimacy

A Conversation with Adi Cabral

1 September 2022

Ann James talks to Adi Cabral about Cabral’s path though the intimacy industry. As a practitioner and professor, Cabral approaches intimacy choreography by centering harm prevention while working to create opportunities for students to identify and grow within their boundaries.

A woman sits looking at a camera while two others kiss in the background.
Being Authentic in a New Theatre Practice
Essay

Being Authentic in a New Theatre Practice

A Conversation with Jyreika Guest

31 August 2022

Ann James chats with Jyreika Guest, who works as both an intimacy specialist and an actor, about framing intimacy work for actors. Jyreika shares her hopes for a future in which consent is an automatic part of rehearsal processes.

Two actors staring lovingly into each other's eyes.
Erasure is Not an Option: Intimacy Advocacy Through a Transgender Lens
Essay

Erasure is Not an Option: Intimacy Advocacy Through a Transgender Lens

A Conversation with Raja Benz

30 August 2022

Ann James sits down with intimacy choreographer Raja Benz to discuss her experience implementing cultures of consent in rehearsal rooms, cultivating a localized approach to intimacy work, and centering trans perspectives in theatrical processes.

Two actors kissing on stage.
The Queering of Intimacy: Equity, Diversity, and Inclusion in Action
Essay

The Queering of Intimacy: Equity, Diversity, and Inclusion in Action

A Conversation with Brooke Haney

29 August 2022

Ann James interviews Brooke Haney, creator of The Actor’s Warm Down, about closure practices in intimacy practice, when to pass work to someone else, and the need to represent queer stories through an authentically queer lens.

Balancing Power Through Intimacy in the Rehearsal Space
Essay

Balancing Power Through Intimacy in the Rehearsal Space

26 August 2022

Ann James chats with Rocio Mendez about her work as an intimacy director, connections between intimacy choreography and fight direction, and getting excited about theatre’s fieldwide trend toward including intimacy specialists in production teams.

Actors working together during rehearsal.
Making Our Own Table: Defining Black Intimacy Practice
Essay

Making Our Own Table: Defining Black Intimacy Practice

A Conversation with Kaja Dunn

25 August 2022

Ann James interviews Kaja Dunn, who works both as an intimacy specialist and a scholar of race and choreography, about her decade-long path through the intimacy industry. They discuss the way to bring intimacy professionals into a production process, the importance of citing Black women’s contributions to the field, and the need diversify who is telling stories on our stages.

A person in the foreground with another person behind them.
Minding the Gaps: Making Space for All Identities in Intimacy Work
Essay

Minding the Gaps: Making Space for All Identities in Intimacy Work

24 August 2022

Ann James sits down with Chelsey Morgan to discuss the way their background in multiple intimacy work methodologies informs their work as a facilitator, director, writer, and intimacy specialist. Across all their work, Chelsey curates a practice that individualizes approaches to intimacy based on the needs of both the actors and the story.

sculpture floating above a theatrical stage.
Intimacy and Equity: A Balancing Act
Essay

Intimacy and Equity: A Balancing Act

23 August 2022

Ann James introduces the Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice series with this call for intimacy professionals to build a foundation of equity in the industry by interrogating available mentorship and training structures. This essay begins that work by highlighting the need for a diverse pool of training ideologies and methods; and the interview-based series that follows takes up that need by highlighting the perspectives of eight practitioners who navigate the intimacy industry in a variety of ways.

three headshots
Putting Out the American Theatre Dumpster Fire Through White Abolition
Essay

Putting Out the American Theatre Dumpster Fire Through White Abolition

9 March 2021

Ann James discusses the problem with white institutions relying on BIPOC staff to “fix” their issues, shares a radical way for white-led organizations to find healing, and offers a starter list of actions for the “newly minted” abolitionist.

two actors embracing
Intimate Reform
Essay

Intimate Reform

Making Space for Leaders of Color

19 March 2020

Ann C. James reflects on the quickly growing field of intimacy direction, arguing that it is vital for the leadership to include people of color so that stories centering on racialized sexual trauma and non-white romantic intimacy can be told in the most truthful ways.

Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice
two female performers standing in the middle of a rehearsal room holding hands
Series

Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice

The intimacy industry is under pressure.