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Lauren Gunderson

Lauren Gunderson (she/her) is one of the most produced playwrights in America since 2015, topping the list twice including 2019–20. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the Lanford Wilson Award and the Otis Guernsey New Voices Award, a finalist for the Susan Smith Blackburn Prize and the John Gassner Award for Playwriting, and a recipient of the Mellon Foundation’s residency with Marin Theatre Company. She studied Southern literature and drama at Emory University and dramatic writing at NYU’s Tisch School where she was a Reynolds Fellow in social entrepreneurship. Her play The Catastrophist, about her husband virologist, Nathan Wolfe, premiered digitally in January 2021. She co-authored the Miss Bennet plays with Margot Melcon and her audioplay The Half-Life of Marie Curie premiered Off-Broadway and at audible.com. Her work is published at Playscripts, Dramatists Play Service, Methuen Drama, and Samuel French. laurengunderson.com.

Playwright Residency
Essay

Playwright Residency

Why Lauren Gunderson? Why Marin Theatre Company?

13 August 2016

Jasson Minadakis, Artistic Director of Marin Theatre Company in Mill Valley, California and playwright-in-residence Lauren Gunderson discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

The new play map.
Playwrights, Rewrites, Multiple Productions
Essay

Playwrights, Rewrites, Multiple Productions

I and You

9 August 2014

The Playwrights, Rewrites, Multiple Productions Series is a weekly series of interviews examining the process of developing a new play through a National New Play Network Rolling World Premiere as a part of their Continued Life of New Plays Fund. The series is curated by Thea Rodgers and Emma Weisberg. Visualizations are from HowlRound's community-powered New Play Map.

Strangle, Throttle, Silence
Essay

Strangle, Throttle, Silence

Talkbacks and Artist Safety

13 December 2013

Lauren Gunderson offers advice on dealing with threatending situations at talkbacks, and how theaters can better protect their artists during audience engagement.

Two actors embrace onstage.
The Song’s The Thing
Essay

The Song’s The Thing

Creating A Rock + Theater Collaboration

27 July 2013

Inspired by the Adele’s song for Skyfall, the artists of the new play By and By collaborated with the band The Kilbanes to reframe the experience for the audience members.

A graph depicting female representation in the Olivier awards.
We Are Not a Mirror
Essay

We Are Not a Mirror

Theatre Must Lead with Women’s Stories

24 April 2013

Lauren Gunderson writes about the failings of theatre to be a lens for society, and the inability to properly represent real life without the voices of women.

All Too Often I Am Forced to Choose
Essay

All Too Often I Am Forced to Choose

A Conversation with Playwright Lydia Diamond

23 April 2013

Lauren Gunderson interviews playwright Lydia Diamond about feeling forced to choose a piece of her marginalized self to construct her stories.

A portrait of Lauren Gunderson.
All Plays Are Classics
Essay

All Plays Are Classics

On Lineage, Trust, and The Necessary New

3 June 2012

Lauren Gunderson on the lessons that playwrights learn from the classics, and why both classic and new work is essential to theater.

Virtual Lessons in Playwriting
photo of laptop with notebook, mug, and an image of Shakespeare
Series

Virtual Lessons in Playwriting

with Lauren Gunderson

In the midst of the COVID-19 pandemic, Lauren Gunderson presents a series of classes and conversations about playwriting with a variety of guest panelists, livestreamed on HowlRoundTV.

Why Theatre?
Series

Why Theatre?

Playwright Lauren M. Gunderson teaches a series of playwriting classes focused on the question of "Why theatre?"