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Marina Johnson

Director. Dramaturg. Scholar.

Marina Johnson (she/they) is a fourth-year Ph.D. candidate in Theatre and Performance Studies Department at Stanford University, also pursuing Ph.D. minors in Feminist, Gender, and Sexuality Studies and Comparative Studies in Race and Ethnicity. She was a 2021-2022 Graduate Public Service Fellow with the Stanford Haas Center and the 2022-2023 co-artistic director of the Nitery Experimental Theatre on Stanford’s Campus. Marina has a BA and a BS from Penn State University and received her MFA in Directing from the University of Iowa. She is the co-host of Kunafa and Shay, a podcast produced by HowlRound Theatre Commons. Johnson is a member of Silk Road Rising’s Polycultural Institute and is a dramaturg with Golden Thread Productions’ 2023 ReOrient Festival. She has trained with the SITI Company and in the Kennedy Center Directing Lab. Prior to beginning her Ph.D., she was a Visiting Assistant Professor at Beloit College for three years.

Select recent directing credits include: The Shroud Maker (International Voices Project), Shakespeare’s Sisters (Stanford), The Palestinian Youth Monologues (Stanford), Five Lesbians Eating a Quiche (Beloit College), and In the Next Room (Beloit College). Additionally, she was the dramaturg for Julius Caesar (Stanford, 2022), assistant director and dramaturg on As Soon As Impossible (Stanford, 2021), dramaturg for Two Rooms (Penn State, 2021), and dramaturg and assistant director for Twice, Thrice, Frice (Silk Road Rising, 2019). Her work has been published in MATC’s Theatre/Practice, Eumenica, and in Arab Stages. Marina-Johnson.com

A woman dressed in white kneeling on the floor and cutting off the peel of an orange. She sits in front of one sunflower.
Forum Theatre in Palestine
Podcast

Forum Theatre in Palestine

With Iman Aoun and Edward Muallem

19 May 2021

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they discuss Forum Theatre in Palestine with Palestinian actors and founders of ASHTAR Theatre Edward Muallem and Iman Aoun.

A woman in a black hijab and tan trenchcoat burns a piece of paper cut out in a wavy design.
Complicating Notions of Womanhood
Podcast

Complicating Notions of Womanhood

12 May 2021

On this week's episode of Kunafa and Shay, Marina and Nabra discuss Western ideals of women, specifically Arab women, and two adaptations of Western plays by Arab women. The hosts also explore the authentic Arabic feminist themes in the plays Jogging: Theatre in Progress and Noura.

A view looking down at the street where there is a circle of bystanders watching a street performance happen in the middle of the circle.
Egyptian Street Theatre
Podcast

Egyptian Street Theatre

with Mohab Saber

5 May 2021

On this episode of Kunafa and Shay, Marina and Nabra discuss Egyptian street theatre with Egyptian curator and coordinator Mohab Saber.

The performers of Eleven Reflections on September, including Andrea Assaf.
Drama on Video
Podcast

Drama on Video

With Andrea Assaf

28 April 2021

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they discuss MENA drama on video, touching a wide range of plays. Marina and Nabra also interview Andrea Assaf about her works, DRONE and Eleven Reflections on September.

5 actors stand upstage looking at one actor who stands closer to the camera, downstage. They hold scripts and look very somber.
The Power of Verbatim Theatre
Podcast

The Power of Verbatim Theatre

With Jen Marlowe

21 April 2021

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they interview Jen Marlowe about her company Donkeysaddle Productions, where Jen conducted interviews for fifteen years to create the verbatim piece There is a Field, a play about Asel Asleh, a seventeen-year-old Palestinian citizen of Israel killed by police in October 2000. Donkeysaddle used this piece to connect communities in the way it was subsequently performed and then documented. Listen to find out how this piece came to be.

9 male actors are sitting and standing in a stage space facing both toward and away from the camera, at the audience.
Drama Therapy: The Work of Zeina Daccache
Podcast

Drama Therapy: The Work of Zeina Daccache

14 April 2021

On this week's episode of Kunafa and Shay, join Marina and Nabra as they discuss Zeina Daccache's work using drama therapy in Lebanon to empower inmates in the carceral system.

A collage of stereotypical Middle Eastern figures
Representation 101: Trends of Contemporary MENA Theatre in the US
Podcast

Representation 101: Trends of Contemporary MENA Theatre in the US

7 April 2021

Join Nabra and Marina as they discuss how MENA theatre in the United States was affected by 9/11, analyze post-9/11 trends in MENA theatre from their own perspectives, and also examine popular MENA plays of the twenty-first century. Setting the stage for future episodes, this discussion illuminates how theatre has contributed to representation of Arabs in popular media and highlights the playwrights who have fought against the stereotypes that were made mainstream by the widespread racism and xenophobia following 9/11, which continue to this day.

two people kneel in front of ornate architecture, petting a black and white cat
Meet the Hosts
Podcast

Meet the Hosts

Kunafa and Shay: Episode 1

31 March 2021

In this first episode of Kunafa and Shay, meet our hosts Nabra Nelson and Marina J. Bergenstock!

Kunafa and Shay
two people kneel in front of ornate architecture, petting a black and white cat
Series

Kunafa and Shay

Kunafa and Shay is a podcast produced for HowlRound Theatre Commons, with co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African, or MENA, theatre from across the region.