This series covers challenges faced by parent artists and builds on the work of the Parent Artist Advocacy League for the Performing Arts (PAAL), a national resource hub and all-parent, all-discipline league advocating for a national standard of best practices for parents in the performing arts.
Each of the dialogues in this series speaks of the connection between political activism, creativity, and spirituality— and highlights the importance of intergenerational knowledge-sharing for the future of the Live Arts and Theatre sectors of the UK.
The contributions to this series focus on solutions and ways forward as much as critiques of existing practice, creating a kind of toolkit for creatives and critics alike to approach the genuinely difficult questions raised by the issue of staging gendered violence ethically and responsibly.
In this series, a variety of disabled theatre artists—managers, designers, producers, and dramaturgs—will share how they do their work, as well as their vision for an accessible future in professional theatre.
Toronto, often deemed “the most multicultural city in the world,” is the largest city in Canada. There’s a thriving theatre scene here, with almost everything you could ask for, and the artists whose work we’re treated to are some of the best in the country.
