New York

Audiences are not “back” to pre-pandemic levels, and there may be a variety of compounding reasons why. ART/New York convened a panel of marketing specialists with an array of perspectives to talk about what’s working, what’s not, and what new strategies we might try in order to best reach and engage our audiences.

Far from being anonymous evaluators sitting behind a grant portal, grantmakers have an invaluable perspective regarding emergent trends, innovative solutions, and field-wide stumbling blocks. This panel, moderated by ART/New York co-executive director Talia Corren, assembles leading New York theatre funders to pull back the curtain on the peer-to-peer conversations happening in grantmaking circles.

ART/ New York hosted the first Fall Forum to foster community, support collaboration, and encourage resource sharing among our members. We kicked off the 2023 Fall Forum with an event to bring together the entire ART/New York community.

PRELUDE is a place to discover what voices are shaping the future of theatre and performance in New York City, to observe, engage, commune, and critique. PRELUDE offers an array of short performances, readings, and screenings—a completely free survey of the current New York moment and the work being prepared for the next season and beyond—as well as new commissions and panel discussions with artists, scholars, and performers.

Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks and the New Work Development department, Watch Me Work takes place via Zoom sessions and HowlRound livestreams that you can join at home, at school, or in a coffee shop from anywhere in the world!

In his book The Art of Assembly. Political Theatre Today curator and author Florian Malzacher surveys theatre today to demonstrate its political potential in both form and content. In a time of wide-ranging crisis, The Art of Assembly is a plea for a strong definition of the political and for a theatre that is not content merely to reflect the world’s ills but instead acts to change them.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

In The Astronaut, a father receives a visit from his son. Complications in their relationship quickly become clear: the son, who wears a full astronaut suit, never replies to his father. The Astronaut is a touching variation on a one-man show, with the father speaking a series of monologues to his silent son.

Dramaturg Gwendolyn Alker engages in a post-show conversation with Donald Eastman and Gabriel Berry—two members of María Irene Fornés’s design team—about the various shows they designed for Fornés, as well as their current work on the first-ever revival of Evelyn Brown (A Diary). Peter Littlefield, the stage manager for the original 1980 production, will also join.

Dorota Masłowska is a Polish writer, playwright, and journalist and the recipient of the prestigious Polityka Prize for her debut novel Wojna polsko-ruska pod flagą biało-czerwoną (Snow White and Russian Red, Grove Atlantic), published when she was just nineteen years old. The book garnered massive critical acclaim in Poland. Since then, she has written several novels and plays and has become a celebrated literary figure in Poland.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for an evening with the PhD students from the theatre department and others at the GC CUNY to share, reflect, and discuss findings, resources, and questions that arose in three years of research during the time of COVID for the student anti-racism committee. Topics will include theory and pedagogy, history and practices, plays, anti-racism trainings, CUNY resources, and outside organizations and resources.

Join us for an evening remembering the late professor of theatre, author, and translator Marion Peter Holt, professor emeritus (theatre, Graduate Center, and Spanish, College of Staten Island). Marion helped to spread knowledge of Catalan and Spanish drama throughout the United States and the world.

Join us for a screening of Reza Abdoh’s extraordinary site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure.

Join us for a Zoom talk with author and curator Florian Malzacher to discuss the upcoming Segal Center publication The Art of Assembly: Political Theatre Today. The Art of Assembly surveys theatre today to demonstrate its political potential in both form and content.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.