Process

Paul Zimet on the intersection of his volunteer work as a mediator in Manhattan and Brooklyn civil and criminal courts and theatre.

In this installment, Hannah Nielsen-Jones shares her process for stage managing OjO in Pittsburgh and San Diego.

Andrew Bailes reviews Theater Oobleck’s production of There Is a Happiness That Morning Is by Mickle Maher.

In this installment, Dan Fine discusses his background in directing and offers suggestions for directors working with media designers.

In this installment, Gab Cody discusses her writing process for both iterations of OjO in Pittsburgh and San Diego.

In the second installment, Ronee Penoi defines her role as a Creative Producer and shares lessons she’s learned in her process.

In the first bilingual installment of the series, Tara Houston profiles Lighting Designer Pablo Santiago about his inspiration and process.

In this third installment, Sam Turich discusses the question of identity and its relationship to audiences in Pittsburgh and San Diego.

Lynn Mullin interviews playwright Arthur Keyser about his journey to playwriting and his process.

Playwright Jas Faulkner discusses her experience shaping her one-act into a ten-minute play for a playwriting competition.

Ben Yalom kicks off his series on ensemble theatre with this discussion of the differences between traditional and collaborative creative approaches to theatre.

Artistic Director Bill English discusses the ephemeral, yet perpetual process theatre artists experience while working on productions.

Playwright Luis Alfaro on mental health, his playwriting process, and Vicodin.

Critic Fabiana Cabral advocates the need for more accessible training for writing theatre criticism.

Andrew Bailes encourages theatre artists to embrace sincerity in their work, rather than cynicism or irony.

In this seventh installment, Daniel Fine continues discussing workflow, highlighting key elements for media design in the production process.

Director Lisa Bohn discusses her experience collaborating with designers for a production of You’re a Good Man, Charlie Brown.

Playwright Damon Falke discusses his process of listening when creating characters for his work.

In the sixth installment, Daniel Fine discusses how to schedule workflow for media design during the production process.

In this first installment, Producer Annalisa Dias offers tips and advice about artistic vision, networking, and production venues.

In this first installment, playwright Audrey Cefaly discusses the significance of silence and subtext on the page and the stage. 

Patricia Davis interviews Ron Menzel, an actor in Studio Theatre's production of Lucy Kirkwood’s Chimerica in Washington, DC.

Playwright Jennifer Berry describes her dual roles as a mother and a playwright, and how these roles influence each other.

Commons Producer Miranda Craigwell interviews Melinda Lopez about her experience as Playwright-in Residence at Huntington Theatre Company.