In this final installment, Ricky Young-Howze reflects on self-producing new work in a “theatre desert,” and acknowledges the importance of learning, wisdom, and respect.
Five of the women producers from the 2014–2016 WP Lab report on producing the Pipeline Festival in partnership with a Lab playwright/director/producer team.
Visiting Arts International Producers Breakfast 2016
Thursday 25 August 2016
Edinburgh, Scotland
Visiting Arts and Creative Scotland presented The Visiting Arts International Producers Breakfast 2016 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Thursday 25 August at 09:00 GMT / 10 a.m. BST (London) / 11:00 CEST (Berlin) / 12:00 EEST (Beirut) / 14:30 IST (Mumbai) / 18:00 JST (Tokyo) / 19:00 AEST (Sydney). Follow the event on Twitter @VisitingArts and share your thoughts with #VAPB2016. Additionally, follow @HowlRoundTV for updates about the livestream. Join the Facebook event page.
Producing Advice from the Company that Named Themselves “Team Awesome Robot”
Part One
6 June 2016
In the kick-off to this new series, Christopher Diercksen, Artistic Director of Team Awesome Robot, share’s the company’s process for producing their second show.
Conversation with Carey Perloff, Artistic Director of American Conservatory Theater
Friday 12 February 2016
Boston, MA, United States
Emerson College in Boston presented a conversation with Carey Perloff, Artistic Director of American Conservatory Theater in San Francisco livestreamed on the global, commons-based peer-produced HowlRound TV at howlround.tv on Friday 12 February at 7 a.m. PST (Los Angeles) / 9 a.m. CST (Chicago) / 10 a.m. EST (New York) / 15:00 GMT (London). In Twitter, follow @howlroundtv and use #howlround.
Frosh Bites—Eleventy-One Nuggets for Being a Successful and Ethical Artistic Director
2 February 2016
February 2 marks forty years since then twenty-two-year-old Mixed Blood Artistic Director Jack Reuler sat down to write the original mission and primary objectives for Mixed Blood. Jack commemorates that founding by presenting a list of qualities and practices for successful and ethical artistic leaders.
Independent producer Natalie Gershtein considers the playwright-producer relationship. Where she once thought that playwrights were waiting and hoping for a first production, she now comes across playwrights who want to hold out for a larger company.