Black Theatre

In this episode, Carla Stillwell and Yura Sapi challenge the "starving artist" trope, offering tips to overcome scarcity mindsets in theatre. Carla, founder of the Stillwell Institute for Contemporary Black Art, shares personal experiences advocating for breaking traditional theatre boundaries and fostering holistic, inclusive environments emphasizing the importance of community and collaboration, and highlighting storytelling's power, especially for people of color.

LaJuné shares about the inception of Black Movement Library: a database of motion capture data from Black folks they created, while seeking to avoid the paradigms of erasure, extraction, and exploitation of Black bodies. In their work, they encourage freedom and personal expression over correct data capture. They believe none of us are just numbers, and to treat our movements in our bodies as just data sets is very harmful.

Some stories transcend time and continue to resonate across generations. Undoubtedly, one might consider The Color Purple as one of those stories. Hosts Jordan Ealey and Leticia Ridley discuss this new movie musical adaptation of The Color Purple and delve into questions around the genre of the movie musical and the challenge and necessity of representing Black women stories on screen.

In this episode, hosts Jordan Ealey and Leticia Ridley talk about a filmed production of the opera X: The Life and Times of Malcolm X.

Hosts Leticia Ridley and Jordan Ealey discuss Woodie King, Jr.’s 1978 documentary, Black Theatre: The Making of a Movement. They explore the documentary’s different themes, its impact on Black theatre history, and what it means for our present and future. 

Hosts Jordan Ealey and Leticia Ridley discuss the contributions made by Alice Childress and the historical and contemporary significance of her play, Trouble in Mind, including the filmed 2021 production at the National Theatre in London.

Hosts Leticia Ridley and Jordan Ealey dig into the dramaturgies and theories of Suzan-Lori Parks and discuss Canadian Stage’s production of Parks’s Topdog/Underdog.
 

This episode focuses on the iconic Negro Ensemble Company (NEC). Hosts Leticia Ridley and Jordan Ealey delve into the NEC’s founding and history, its track record of producing successful Black plays, and its legacy within Black theatre and performance.

This episode will discuss the age old questions of what is Black theatre? What is a Black play? How do you know one when you see it? Leticia Ridley and Jordan Ealey provide an overview of the some of the most popular commentary on this question from Black theatre theorists of the past such as W.E.B Dubois, Alain Locke, and Alice Childress.