Louisiana

Randals writes about theatre created by women who have personal relationships with America’s criminal justice system who seek to inform their audiences to incarceration’s effects.

Ace Falcor examines the queerness of New Orleans, and what it means to be a queer performer in the city where anything goes.

Carol Bebelle, co-founder of Ashé Cultural Arts Center discusses community and vision New Orleans.

Aliens, Immigrants & Other Evildoers explores the persecution of immigrants, and segregation of art in New Orleans.

How does the culture of parading—both watching and participating in parades— affect, create, and sustain the New Orleans New Work ecosystem?

What makes New Orleans a unique and thriving frings theatre scene, despite the lack of financial and institutional resources to support them?

After a year of turmoil for Southern Rep Theatre, holding onto their mission kept them at bay. It became a time to reflect on New Orlean’s great community.

In the wake of racial discrimination in New Orleans' education system, Lockdown was created to give a voice to the kids in the back of the class.

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New Orleans is a perfect storm of topography, personality, and technology to allow theatremakers and artists to thrive.

Nick Slie gives an overview of New Orlean's theatre climate.

Playwright Lisa D'Amour considers the inherent differences between big institutions and grassroots theatres, and the possibilities that could arise were the two to collaborate.