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Mateo Hernandez acknowledges collaboration and artmaking as two distinct processes that inform each other in the theatrical process, an observation rooted in their group’s experience of intentionally reexamining the collaborative process at the Latinx Theatre Commons Director and Designer Colaboratorio.

The Latinx Theatre Commons Designer and Director Colaboratorio gathered dozens of Latinx theatremakers to approach collaboration from a place of inquiry, play, and exploration. Carla Della Gatta writes about this event as an alternate story of what is happening—and what could be happening—in US theatre right now.

David Howse and Ronee Penoi, co-leaders of ArtsEmerson, introduce the Black and Indigenous Futures Series with an essay that discusses their commitment to a shared leadership approach that foregrounds solidarity between Black and Indigenous communities.

After three decades of working together as playwright and director, collaborators and friends Carlyle Brown and Noel Raymond are trying something new: co-creating a theatrical work and performing in it. They sit down to discuss the project’s genesis in their friendship and the research, questions, and experiences that are shaping their generative process.

Maia Novi’s testimonial play Invasive Species tells the story of one Argentinean immigrant’s experience constructing her sense of self in the United States in the face of the limitations on her identity that she encounters in her new home. Sebastián Eddowes-Vargas, a Peruvian living in the United States, reviews the production with an eye toward the way that Invasive Species embraces complexity, humanity, power imbalances, and even humor.

Lauren Halvorsen reports on the origins, development, and learnings of the Artistic Caucus, a collaborative initiative between four regional theatres. By employing a racially and geographically diverse collective of freelance artists to identify new work, scout projects, and facilitate relationships on behalf of all four theatres, the Artistic Caucus seeks to disrupt traditional curatorial practices.

Robert Hubbard reviews Larissa FastHorse’s Wicoun, a transformative story of a teen finding power through gender and cultural identity—with the support of some Lakota superheroes.

Genevieve Schroder-Arce discusses her experience attending—and co-creating—Teatro Vivo’s Las Pastorela 2022, which invited audience members to construct the piece and perform it for one another as a way of modeling collaboration among community members.

Genevieve Simon reflects on the process of writing Bloom Bloom Pow, a play that makes space for collective grief by staging small-town chaos against a backdrop of the harmful algal bloom crisis in the Great Lakes region.

Playwright Raul Garza discusses the potent connections between environment and Latinx heritage that he explores by employing magical realism in his play Arbolito.

Theresa May discusses the way that two contemporary plays with dystopian settings—Transmissions in Advance of the Second Great Dying by Jessica Huang and Somewhere by Melissa Treviño Orta—lean away from typical tropes of destruction and individualism by instead centering care, kinship, reciprocity, and interdependence.

Theatremaker Eric Swartz sits down with Rosalba Rolón, co-founder and artistic director of Pregones/PRTT, to discuss ensemble-based theatre, mentorship across generations, and their work to sembrar una semilla—to plant a seed and work to make it grow.

Richard Falcon and Fran Astorga discuss the need for inclusive spaces that led to founding their own companies, the road blocks they've pushed against, and the legacy they hope to create as part of the teatro field.

Star Finch and Ellen Sebastian Chang, friends and artistic collaborators in the Bay Area, have a conversation about their local theatre scene’s recent but long overdue racial reckoning, scraping together a creative life, the institutionalization of artists, and more.

Jacqueline Flores and Abel López, co-curators of the Latinx Leaders at the Forefront series, discuss their careers, their sense of cultural identity as Latinx theatremakers, and importance of intergenerational dialogue.

Olga Sanchez Saltveit and Shayna Schlosberg continue their conversation for the Latinx Leaders at the Forefront series, focusing on mentorship, trade-offs they have made, and their shared experiences working in service of equity.

Olga Sanchez Saltveit and Shayna Schlosberg sit down to discuss their careers making theatre and advancing equity for the Latinx community in the Pacific Northwest.